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© Charlie Sheard "Abstraction in oil, alkyd resin, copper powder, resin, slate dust, marble dust, phlogopite glimmer yellow, wax, on oil primed linen" 2007 mixed media on linen 198 x 148 cm $20,000
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© Charlie Sheard "Abstraction in oil and alkyd resin on linen" 2007 mixed media on linen 183 x 153 cm $18,500
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© Charlie Sheard "Night Rain" 1998 oil on linen canvas 77 x 122cm $12,000
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© Charlie Sheard "Jade Peak" Oil on linen canvas 91 x 122 cm
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© Charlie Sheard "Abstraction in acrylic, oil varnish, oil, wax film, oil-wax dispersion, linen, acrylic priming" 2007 mixed media on linen 122 x 152 cm $16,500
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© Charlie Sheard "Cloud" Oil on linen canvas 102 x 91 cm
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© Charlie Sheard "Green Forms in Red Air" 2006 oil on linen 152 x 305cm $30,000
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© Charlie Sheard "Abstraction in acrylic, vinyl, paper, chalk in acrylic dispersion, acrylic primed linen" 2007 mixed media on linen 214 x 198cm $28,000
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© Charlie Sheard "Landscape" 2004-05 oil on linen 102 x 92cm $12,500
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© Charlie Sheard "Emanation" Oil on linen canvas 91 x 122 cm
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© Charlie Sheard "Green Mountain" Oil on linen canvas 102 x 91 cm
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© Charlie Sheard "Abstraction in vinyl, acrylic, oxidised copper reaction, acrylic attachments, de-waxed shellac, over vinyl on acrylic primed linen" 2007 mixed media on linen 153 x 122 cm $16,500
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© Charlie Sheard "Abstraction in acrylic, vinyl, oil, pigmented resin, acrylic primed linen" 2007 mixed media on linen 305 x 152 cm $30,000
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© Charlie Sheard "Abstraction in acrylic, vinyl, oil, wax, stand oil, on raw linen and acrylic sealing" 2007 mixed media on linen 198 x 214cm $28,000
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© Charlie Sheard "Stone" Oil on linen canvas 102 x 91 cm
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Charlie Sheard
ABOUT THE ARTIST | VIEW SELECT AVAILABLE WORKS
Two artists have inspired me continuously for twenty years, the sixteenth century Venetian painter Titian (Tiziano Vecellio), and the twentieth century poet Ezra Pound. In the work of both of these men, technical mastery of the highest order is married to visionary intensity and spendour.
For some years I have been working with techniques in general from Venetian Renaissance models, and in particular from Titian, whose pictures exhibit extraordinary layering of colour, thereby achieving an unprecedented richness and complexity of optical effect. Such effects, arising out of the dynamic relationship between opacity and transperancy in the oil medium, lend themselves suggestively to the rendering of atmospheric light. Like many painters before me (such asTurner, and Monet in his late work), I have drawn deeply on this branch of Titian's endeavour.'
- Charlie Sheard,
from Exhibition Catalogue 'Homage to Tiziano and Ezra Pound,' 2000
Biography
Charlie Sheard has exhibited for two decades and has held more than forty solo exhibitions in Australia, Europe and USA. His work is represented in corporate, public and private collections within Australia and overseas. Charlie Sheard lived in England for seven years in the 1980's, exhibiting with Angela Flowers Gallery and Anne Berthoud Gallery in London, and at Kettles Yard Gallery in Cambridge, as well as in Belgium. He returned to Australia in 1988 and has been living in Sydney since 1990. Charlie is represented by Tim Olsen Gallery in Sydney and Christine Abrahams Gallery in Melbourne. Recent solo exhibitions include his Orphic Hymns which opened the McGrath Galleries in New York. At the beginning of 2004, Charlie completed large scale commissions for the new KMPG building in Sydney. He is also the founder and principal of the Charlie Sheard Studio School, where he offers a three year course in historical oil painting techniques to a small group of professional level students.
| 1960 |
Born, Sydney |
| 1978-80 |
Dip. Art, Alexander Mackie CAE |
| 1981 |
Leave Australia, settle in Cambridge, UK |
| 1988 |
Returned to Australia Selected
Solo Exhibitions |
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| Solo Exhibitions |
| 2007 Tim Olsen Gallery, Sydney |
| 2006 |
Christine Abrahams Gallery, Melbourne |
| 2005 |
Tim Olsen Gallery, Sydney |
| 2004 |
Christine Abrahams Gallery, Melbourne |
| 2003 |
Tim Olsen Gallery Annex, Sydney |
| 2002 |
Tim Olsen Gallery, Sydney
McGrath Galleries, New York |
| 2001 |
Charles Nodrum Gallery, Melbourne |
| 2000 |
Tim Olsen Gallery, Sydney |
| 1999 |
Tim Olsen Gallery, Sydney |
| 1998 |
‘New Paintings’, Olsen Carr Art Dealers, Sydney |
| 1997 |
Charles Nodrum Gallery, Melbourne |
| 1996 |
Olsen Carr Art Dealers, Sydney |
| 1995 |
Olsen Carr Art Dealers, Sydney
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| 1994 |
Rex Irwin Gallery, Sydney Greenaway Gallery,
Adelaide |
| 1992 |
Rex Irwin Gallery, Sydney |
| 1991 |
Charles Nodrum Gallery |
| 1990 |
Rex Irwin Gallery, Sydney |
| 1989 |
Galerie Dusseldorf, Perth
Charles Nodrum Gallery, Melbourne
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| 1988 |
Rex Irwin Gallery, Sydney
Sylvester Studios, Sydney |
| 1987 |
Gallerie S65, Aalst, Belgium
Clare Hall College, Cambridge
Studio Exhibition, Cambridge |
| 1986 |
Kettle’s Yard Gallery, Cambridge
Old Fire Engine House
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| 1985 |
Rex Irwin Gallery, Sydney |
| 1984 |
Clare Hall College
Anne Berthoud Gallery, London |
| 1983 |
Angela Flowers Gallery, London
Old Fire Engine House, Ely |
| 1982 |
Clare Hall College, Cambridge |
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| Selected Group Exhibitions |
| 2005 |
Criterion Gallery, Hobart |
| 2004 |
Melbourne Art fair, Melbourne |
| 2002 |
Christine Abrahams Gallery, Melbourne |
| 2001 |
Abstraction, Tim Olsen Gallery, Sydney |
| 2000 |
4 x 4, Tim Olsen Gallery, Sydney |
| 1999 |
‘Contemporary’, Works from the Collection of Allen and Hemsley, University ofTechnology, Sydney
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| 1998 |
Australian Contemporary Art Fair 6, Melbourne |
| 1997 |
‘Gallery Artists’, Charles Nodrum Gallery
‘ Devoured by Paint’, Olsen Carr Art Dealers |
| 1996 |
‘Gallery Artists’, Charles Nodrum Gallery |
| 1995 |
‘Gallery Artists’, Charles Nodrum Gallery |
| 1994 |
‘Works on Paper’, Rex Irwin Gallery |
| 1993 |
‘Works on Paper’, Rex Irwin Gallery
‘Works on Paper’, Charles Nodrum Gallery
‘Works on Paper’, Rex Irwin Gallery |
| 1992 |
‘Gallery Artists’, Charles Nodrum Gallery
‘Australian Contemporary Art Fair 3’, Melbourne |
| 1991 |
‘Doors’, Gold Coast City Art Gallery, Queensland
‘Works on Paper’, Charles Nodrum Gallery |
| 1990 |
‘Summer Exhibition’, Rex Irwin Gallery
‘Art-AID’, Broughton House Gallery, Cambridge
‘ Large Scale Drawings’, Sylvester Studios Gallery
‘ Australian Contemporary Art Fair 2”, Melbourne
‘ Gallery Artists’, Charles Nodrum Gallery
‘ Works on Paper’, Charles Nodrum Gallery |
| 1988 |
‘Important Works on Paper’, Rex Irwin Gallery‘The
'Art Collector’s Starter Kit’, D C Art, Sydney
‘Works on Paper’, Charles Nodrum Gallery, Melbourne
‘Christmas Exhibition’, Sylvester Studios Gallery, Sydney |
| 1987 |
Important works on Paper’, Rex Irwin Gallery‘The
‘Visions of Stonehenge’, Southhampton City Art Gallery
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| 1986 |
‘Three Cambridge Artists’, Hall Barn, Fen Ditton
‘Tenth Birthday Exhibition’, Rex Irwin Gallery‘Christmas Exhibition’, Rex Irwin
Gallery |
| 1984 |
‘The Big Painting Show’, Angela Flowers Gallery,
‘Christmas Exhibition’, Kettle’s Yard Gallery |
| 1980 |
‘Australian Student Printmakers’, Print Council of
Australia |
Collections
The World Bank, New York
Macquarie Bank, Sydney
Atanaskovic Hartnell, Sydney
Allen Allen & Hemsley, Sydney
Kettle’s Yard Gallery, Cambridge
Clare Hall College, University of Cambridge, U.K.
Gadens Ridgeway, Sydney
Faber-Castell Collection
Western Mining, Melbourne
Regent Hotel, Sydney
Blake Dawson Waldron, Melbourne
Deakin University
KPMG Australia
and numerous private collections in the UK, USA, Belgium and Australia.�
Selected Bibliography
Charlie Sheard, “Basil Bunting and Music”, The Present Tense, Autumn 1982
Susanna Short, Sydney Morning Herald, 14 March 1985
Art in Australia, Summer, 1985-86
Hilary Gresty, Cambridge Festival Programme, 1986
Kettle’s Yard Gallery Bulletin, July - August 1986
Christopher Chippindale, Visions of Stonehenge, Catalogue essay, Southhampton City Art Gallery 1987
Lawrence George, Style, issue No.1, December 87
Elwyn Lynn, The Australian, 13 February, 1988
David Bromfield, The West Australian, 30 July, 1989
Penny Webb, Agenda, Issue No. 9, December, 1989
Agenda, Issue No. 11, April, 1990
Max Germaine, Art and Artists of Australia,1991
Charlie Sheard, “Ildiko Kovacs”, Agenda, January 1991
Geoffrey Boccalatte, “Hugh Jamieson”, Australian Art Collector, Issue 2, 1998
Sebastian Smee, Sydney Morning Herald, 22 September 1998
‘Australia’s 50 Most Collectable Artists’, Australian Art Collector, Issue no.7, January 1999
Megan Hitchens, “Songs for Dionysos, Wei Xiong and Lucy”, Catalogue essay, Tim Olsen Gallery 1999
Sebastian Smee, Sydney Morning Herald, 24 August 1999
Joyce Morgan, Sydney Morning Herald, 1 October 1999
‘Australia’s 50 Most Collectable Artists’, Australian Art Collector, January 2000
Sebastian Smee, Sydney Morning Herald, January 2001
Siobhan O’brian, ‘”Gods and Small Things”, Sydney Morning Herald, 3 May 2001
Charlie Sheard, ‘”Abstraction: Spirit, Light, Pure Form” Catalogue Essay , pub. Tim Olsen Gallery 2001 Betsy Brennan, Vogue Living, June-July 2001
Victoria Hynes, “Light Brigade”, Sydney Morning Herald , Metro 15 June 2001
Terry Ingram, Australin Financial Review: Saleroom, 4 April 2002
Charlie sheard, Nine Paintings,catalogue essay, Tim Olsen Gallery, 2002
Jeff Makim, Herald Sun "Critics Choice" , 10 May 2004
Robert Nelson, The Age,"Sightlines", 21 May 2004
He Wei Xiong and Charlie Sheard, Mountain, translation of Chinese poems, Tim Olsen Gallery, 2002
The Age "Art Around the Art Galleries", 28th October 2006
McCulloughs Encyclopedia of Australian art, 4th Edition, 2006�
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