Charlie Sheard

ABOUT THE ARTIST   |   VIEW SELECT AVAILABLE WORKS

Two artists have inspired me continuously for twenty years, the sixteenth century Venetian painter Titian (Tiziano Vecellio), and the twentieth century poet Ezra Pound. In the work of both of these men, technical mastery of the highest order is married to visionary intensity and spendour.

For some years I have been working with techniques in general from Venetian Renaissance models, and in particular from Titian, whose pictures exhibit extraordinary layering of colour, thereby achieving an unprecedented richness and complexity of optical effect. Such effects, arising out of the dynamic relationship between opacity and transperancy in the oil medium, lend themselves suggestively to the rendering of atmospheric light. Like many painters before me (such asTurner, and Monet in his late work), I have drawn deeply on this branch of Titian's endeavour.'

- Charlie Sheard,

from Exhibition Catalogue 'Homage to Tiziano and Ezra Pound,' 2000

Biography

Charlie Sheard has exhibited for two decades and has held more than forty solo exhibitions in Australia, Europe and USA. His work is represented in corporate, public and private collections within Australia and overseas. Charlie Sheard lived in England for seven years in the 1980's, exhibiting with Angela Flowers Gallery and Anne Berthoud Gallery in London, and at Kettles Yard Gallery in Cambridge, as well as in Belgium. He returned to Australia in 1988 and has been living in Sydney since 1990. Charlie is represented by Tim Olsen Gallery in Sydney and Christine Abrahams Gallery in Melbourne. Recent solo exhibitions include his Orphic Hymns which opened the McGrath Galleries in New York. At the beginning of 2004, Charlie completed large scale commissions for the new KMPG building in Sydney. He is also the founder and principal of the Charlie Sheard Studio School, where he offers a three year course in historical oil painting techniques to a small group of professional level students.

1960 Born, Sydney
1978-80 Dip. Art, Alexander Mackie CAE
1981 Leave Australia, settle in Cambridge, UK
1988 Returned to Australia Selected Solo Exhibitions
   
Solo Exhibitions
2007 Tim Olsen Gallery, Sydney
2006 Christine Abrahams Gallery, Melbourne
2005 Tim Olsen Gallery, Sydney
2004 Christine Abrahams Gallery, Melbourne
2003 Tim Olsen Gallery Annex, Sydney
2002 Tim Olsen Gallery, Sydney
McGrath Galleries, New York
2001 Charles Nodrum Gallery, Melbourne
2000 Tim Olsen Gallery, Sydney
1999 Tim Olsen Gallery, Sydney
1998 ‘New Paintings’, Olsen Carr Art Dealers, Sydney
1997 Charles Nodrum Gallery, Melbourne
1996 Olsen Carr Art Dealers, Sydney
1995 Olsen Carr Art Dealers, Sydney
1994 Rex Irwin Gallery, Sydney Greenaway Gallery,
Adelaide
1992 Rex Irwin Gallery, Sydney
1991 Charles Nodrum Gallery
1990 Rex Irwin Gallery, Sydney
1989 Galerie Dusseldorf, Perth
Charles Nodrum Gallery, Melbourne
1988 Rex Irwin Gallery, Sydney
Sylvester Studios, Sydney
1987 Gallerie S65, Aalst, Belgium
Clare Hall College, Cambridge
Studio Exhibition, Cambridge
1986 Kettle’s Yard Gallery, Cambridge
Old Fire Engine House
1985 Rex Irwin Gallery, Sydney
1984 Clare Hall College
Anne Berthoud Gallery, London
1983 Angela Flowers Gallery, London
Old Fire Engine House, Ely
1982 Clare Hall College, Cambridge
   
Selected Group Exhibitions
2005 Criterion Gallery, Hobart
2004 Melbourne Art fair, Melbourne
2002 Christine Abrahams Gallery, Melbourne
2001 Abstraction, Tim Olsen Gallery, Sydney
2000 4 x 4, Tim Olsen Gallery, Sydney
1999 ‘Contemporary’, Works from the Collection of Allen and Hemsley, University ofTechnology, Sydney
1998 Australian Contemporary Art Fair 6, Melbourne
1997 ‘Gallery Artists’, Charles Nodrum Gallery
‘ Devoured by Paint’, Olsen Carr Art Dealers
1996 ‘Gallery Artists’, Charles Nodrum Gallery
1995 ‘Gallery Artists’, Charles Nodrum Gallery
1994 ‘Works on Paper’, Rex Irwin Gallery
1993 ‘Works on Paper’, Rex Irwin Gallery
‘Works on Paper’, Charles Nodrum Gallery
‘Works on Paper’, Rex Irwin Gallery
1992 ‘Gallery Artists’, Charles Nodrum Gallery
‘Australian Contemporary Art Fair 3’, Melbourne
1991 ‘Doors’, Gold Coast City Art Gallery, Queensland
‘Works on Paper’, Charles Nodrum Gallery
1990 ‘Summer Exhibition’, Rex Irwin Gallery
‘Art-AID’, Broughton House Gallery, Cambridge
‘ Large Scale Drawings’, Sylvester Studios Gallery
‘ Australian Contemporary Art Fair 2”, Melbourne
‘ Gallery Artists’, Charles Nodrum Gallery
‘ Works on Paper’, Charles Nodrum Gallery
1988 ‘Important Works on Paper’, Rex Irwin Gallery‘The
'Art Collector’s Starter Kit’, D C Art, Sydney
‘Works on Paper’, Charles Nodrum Gallery, Melbourne
‘Christmas Exhibition’, Sylvester Studios Gallery, Sydney
1987 Important works on Paper’, Rex Irwin Gallery‘The
‘Visions of Stonehenge’, Southhampton City Art Gallery
1986 ‘Three Cambridge Artists’, Hall Barn, Fen Ditton
‘Tenth Birthday Exhibition’, Rex Irwin Gallery‘Christmas Exhibition’, Rex Irwin
Gallery
1984 ‘The Big Painting Show’, Angela Flowers Gallery,
‘Christmas Exhibition’, Kettle’s Yard Gallery
1980 ‘Australian Student Printmakers’, Print Council of
Australia

Collections

The World Bank, New York
Macquarie Bank, Sydney
Atanaskovic Hartnell, Sydney
Allen Allen & Hemsley, Sydney
Kettle’s Yard Gallery, Cambridge
Clare Hall College, University of Cambridge, U.K.
Gadens Ridgeway, Sydney
Faber-Castell Collection
Western Mining, Melbourne
Regent Hotel, Sydney
Blake Dawson Waldron, Melbourne
Deakin University
KPMG Australia
and numerous private collections in the UK, USA, Belgium and Australia.�

Selected Bibliography

Charlie Sheard, “Basil Bunting and Music”, The Present Tense, Autumn 1982
Susanna Short, Sydney Morning Herald, 14 March 1985
Art in Australia, Summer, 1985-86
Hilary Gresty, Cambridge Festival Programme, 1986
Kettle’s Yard Gallery Bulletin, July - August 1986
Christopher Chippindale, Visions of Stonehenge, Catalogue essay, Southhampton City Art Gallery 1987
Lawrence George, Style, issue No.1, December 87
Elwyn Lynn, The Australian, 13 February, 1988
David Bromfield, The West Australian, 30 July, 1989
Penny Webb, Agenda, Issue No. 9, December, 1989
Agenda, Issue No. 11, April, 1990
Max Germaine, Art and Artists of Australia,1991
Charlie Sheard, “Ildiko Kovacs”, Agenda, January 1991
Geoffrey Boccalatte, “Hugh Jamieson”, Australian Art Collector, Issue 2, 1998
Sebastian Smee, Sydney Morning Herald, 22 September 1998
‘Australia’s 50 Most Collectable Artists’, Australian Art Collector, Issue no.7, January 1999
Megan Hitchens, “Songs for Dionysos, Wei Xiong and Lucy”, Catalogue essay, Tim Olsen Gallery 1999
Sebastian Smee, Sydney Morning Herald, 24 August 1999
Joyce Morgan, Sydney Morning Herald, 1 October 1999
‘Australia’s 50 Most Collectable Artists’, Australian Art Collector, January 2000
Sebastian Smee, Sydney Morning Herald, January 2001
Siobhan O’brian, ‘”Gods and Small Things”, Sydney Morning Herald, 3 May 2001
Charlie Sheard, ‘”Abstraction: Spirit, Light, Pure Form” Catalogue Essay , pub. Tim Olsen Gallery 2001 Betsy Brennan, Vogue Living, June-July 2001
Victoria Hynes, “Light Brigade”, Sydney Morning Herald , Metro 15 June 2001
Terry Ingram, Australin Financial Review: Saleroom, 4 April 2002
Charlie sheard, Nine Paintings,catalogue essay, Tim Olsen Gallery, 2002
Jeff Makim, Herald Sun "Critics Choice" , 10 May 2004
Robert Nelson, The Age,"Sightlines", 21 May 2004
He Wei Xiong and Charlie Sheard, Mountain, translation of Chinese poems, Tim Olsen Gallery, 2002
The Age "Art Around the Art Galleries", 28th October 2006
McCulloughs Encyclopedia of Australian art, 4th Edition, 2006�

Charlie  Sheard
 
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