Flooded forest I 2013
© Tim Summerton
152 x 183cm  $16,000
oil on linen    SOLD
Flooded forest II 2013
© Tim Summerton
152 x 183cm  $16,000
oil on linen
Hillside III 2013
© Tim Summerton
167 x 152cm  $15,000
167 x 152cm
Hillisde IV 2013
© Tim Summerton
122 x 107cm  $10,000
oil on linen    SOLD
Flooded Field I 2013
© Tim Summerton
167 x 152cm  $15,000
oil on linen
Hillside Hollow II 2012
© Tim Summerton
122 x 107cm  $10,000
oil on linen    SOLD
Tangled Hillside I 2011
© Tim Summerton
168 x 152cm  $15,000
oil on linen    SOLD
Fading Forest II 2011
© Tim Summerton
168 x 122cm  $13,000
oil on linen    SOLD
Fading Forest III 2011
© Tim Summerton
168 x 122cm  $13,000
oil on linen    SOLD
Fading Forest I 2011
© Tim Summerton
152 x 122cm  $12,000
oil on linen    SOLD
Fading Farm Willow I 2012
© Tim Summerton
122 x 107cm  $10,000
oil on linen    SOLD
Floating Forest II 2011
© Tim Summerton
122 x 107cm  $10,000
oil on linen    SOLD
Dark Wood II 2010
© Tim Summerton
137 x 183cm  $14,000
oil on linen    SOLD
Floating Field I 2010
© Tim Summerton
168 x 152cm  $14,000
oil on linen    SOLD
Night Nest I 2010
© Tim Summerton
183 x 152cm  $16,000
oil on linen    SOLD
Fleeting Field III 2010
© Tim Summerton
152 x 137cm  $13,000
oil on linen    SOLD
Escarpment I 2010
© Tim Summerton
183 x 152cm  $16,000
oil on linen    SOLD
Escarpment V 2009
© Tim Summerton
152 x 213cm  $16,000
oil on linen    SOLD
Escarpment IV 2009
© Tim Summerton
152 x 213cm  $16,000
oil on linen    SOLD

Tim Summerton

Tim Summerton was born in Sydney in 1978. He completed a Bachelor of Arts Degree in Newcastle in 1998 and an Honours degree in Fine Art from the University of NSW in 2000.

Summerton has been exhibiting with Tim Olsen Gallery since 2002 where he launched his solo career.

Tim Summerton’s works present an immense sophistication in the application of paint. The works evolve from layered backgrounds of brightly coloured warm tones that he manipulates with combinations of saturated hues and neutral oil paint in a wet on wet application. The complex surfaces that appear are speckled with sweeping brush strokes, fine scratches, marks and details left from the paint layering process.

The paintings are rendered from observations of the landscape, scenes from Summerton’s trips to the coastal dunes near Seal Rocks in Northern NSW; and Victoria’s Wilson’s Promontory, and more recently the landscape surrounding NSW's Kangaroo Valley and the Southern Highlands.

 
 
 
   
   
 
 
   
   
   
   
   
   
   
   
   
   
 
 
   
   
 
 
 
 

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